David Attenborough & Chris Watson in Conversation

30 November 2017 // Field Recording

CBTR HQ’s Diva Harris reports back from a very special evening at the British Library I’m pretty sure I don’t know a single person who doesn’t love David Attenborough. At a time when my fellow millenials and I have rather a lot to lament — the expense of higher education and housing; the press bizarrely […]

Read the full entry

Listen: 140 Years of Recorded Sound

9 October 2017 // Field Recording //Sound art

Ian Preece visits Listen: 140 Years of Recorded Sound, an exhibition currently on show at the British Library: 140 Years of Recorded Sound sounds a somewhat overwhelming notion for an exhibition, but it turns out the British Library’s new initiative to highlight the preservation of their sound archive is a tightly structured affair. It’s a […]

Read the full entry

The Long Player Conversation: Chris Watson and David Attenborough at The British Library

6 September 2017 // Events //Field Recording

On Monday 27 November, long-term collaborators Chris Watson and David Attenborough will come together at The British Library to discuss their shared interests and experiences as sound recordists in the natural world. Unmissable, we reckon. Tickets are already on sale for British Library members, and go on general release at 11am this Friday. More info […]

Read the full entry

Kate Carr: Soundcamp set and video for Reveil 2017

22 May 2017 // Field Recording

Soundcamp set and video for Reveil 2017 (May 6) from Kate Carr on Vimeo. Urban nature in London’s docklands, an audio visual recording by Kate Carr. Recorded for Soundcamp in a very small park opposite Canary Wharf for International Dawn Chorus Day 2017. Footage taken from Canada Water to the Thames. Kate Carr on Caught […]

Read the full entry

Great Monk Woods to Baldwins Pond Pt 1

25 April 2017 // Field Recording //Music

Dear Caught by the River, This is the first track from the forthcoming Spaceship album; a prospect of loughton brook (release date 12th May 2017). The music on this album was composed using extensive field recordings from Loughton Brook, a small stream in Epping Forest. Following the stream’s course from its source near Wake Valley […]

Read the full entry