Caught by the River

Usk – A Haiku Sequence

20th July 2025

Paul Chambers introduces a sequence of haiku that follow the River Usk from upland bog to tidal estuary, and through the cycle of the seasons.

These haiku are drawn from a longer work-in-progress exploring the River Usk, and the environments through which it flows, across a full seasonal cycle. Haiku’s precision and attentiveness to momentary detail are qualities well-suited to capturing the quiet shifts and encounters that shape a river’s life. The Usk flows through a range of landscapes, from upland bog to tidal estuary, and these poems aim to reflect something of that changing presence through close observation of place, an appreciation of seasonal transitions, and a deeper awareness of our interconnectedness with the more-than-human world.

 

early sun
the fog whitens
to an egret

 

bog thaw
the slow lift
of frogspawn

 

thin drizzle
mating crows hold
the calf’s gaze

 

heather slope
a skylark vanishes
into its note

 

minnow’s dart
the whole
river valley

 

gorse hum
an otter’s whiskers
catching light

 

slowed current
a heron steps through
its shadow

 

midges
in the cowshed doorway
deepening drought

 

low water
a carp mouths the silt
on a dressing gown

 

reedbed hush
the egret’s throat
pulses

 

hot evening
a dead mullet
deep in the drain shaft

 

baled field
a buzzard arcs
against the cloud shelf

 

coolness
at the edge of the woods
purple loosestrife

 

cottonwood seeds
carry the last light
over the river

 

marsh foxtail
grown through the hull
of a broken rowboat

 

warmth fading
from the sheepfold’s edge
slow thunder

 

gathering flies
a torn feed sack
in the ditch

 

river drizzle
pooling in a dent
in the oil drum

 

moor wind
the adder’s curve
tightens

 

cold sunset
a boy hurls back
an eel

 

dawn fog
gull by gull
the estuary

 

*

 

Paul Chambers is an award-winning and internationally anthologised haiku poet. His work on haiku has appeared in publications such as the Times Literary Supplement, The Conversation, and the Washington Post. He has been awarded for his poetry by the Museum of Haiku Literature in Tokyo, and his most recent collection, ‘The Dry Bones’ won the Haiku Foundation’s Touchstone Distinguished Book Award – the most prestigious prize in the field of English-language haiku. His work can be found here.